Sacred​/​Profane (RPM Challenge 2011)

by Reverse Polish Notation (Betty Widerski)

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    Immediate download of 9-track album in your choice of 320k mp3, FLAC, or just about any other format you could possibly desire.

    These are demo-quality tracks recorded for The RPM Challenge (http://rpmchallenge.com - create an album in the month of February). Pay what you will, or free.
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1.
Reverie 03:32
2.
Beatboxer 03:34
3.
Sahara 03:54
4.
Downtown 03:50
5.
Left 04:02
I turn my face to the wall though I still hear your call it's time to let you go It's way past time, I know Far too short your lifetime here reason fails to make it clear why did you leave so soon? leaving me alone with the moon Why do we love and leave? How do we make it past All of the empty days til we rejoin at last? [violin bridge 4 bars] Days still drag, and nights pass slow when your heart is ebbing low while you sleep in death's embrace I no longer see your face Friends say I'm the lucky one living here beneath the sun doesn't feel like that to me I am trapped while you are free Why do we love and leave? How do we make it past All of the empty days til we rejoin at last? [spoken over bridge] I try to be grateful for our time together. But mostly feel cheated that it wasn't longer I hope wherever you are you are happy and free remember me and someday I'll find you again Why do we love and leave? How do we make it past All of the empty days til we rejoin at last? Why do we love and leave? How do we make it past All of the empty days til we rejoin at last?
6.
Pies de Gato 03:53
7.
Good Rest Ye 02:59
8.
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10.

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released February 26, 2011

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Reverse Polish Notation (Betty Widerski) Boston, Massachusetts

Reverse Polish Notation showcases violinist/violist Betty Widerski's original instrumental compositions as she improvises over her own multivoiced accompaniments, generated live via a looping pedal. Her creatively impromptu solo performance has been described as soothing, hypnotic & fascinating. Betty also composes instrumental & vocal pieces, as well as string arrangements for others' songs. ... more

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